Be Specific About Based On Books Sailing to Sarantium (The Sarantine Mosaic #1)
| Title | : | Sailing to Sarantium (The Sarantine Mosaic #1) |
| Author | : | Guy Gavriel Kay |
| Book Format | : | Paperback |
| Book Edition | : | Anniversary Edition |
| Pages | : | Pages: 448 pages |
| Published | : | November 4th 2002 by Earthlight (first published September 7th 1998) |
| Categories | : | Fantasy. Historical. Historical Fiction. Fiction. Historical Fantasy |
Guy Gavriel Kay
Paperback | Pages: 448 pages Rating: 4.16 | 12427 Users | 564 Reviews
Interpretation Toward Books Sailing to Sarantium (The Sarantine Mosaic #1)
Crispin is a master mosaicist, creating beautiful art with colored stones and glass. Summoned to Sarantium by imperial request, he bears a Queen's secret mission, and a talisman from an alchemist. Once in the fabled city, with its taverns and gilded sanctuaries, chariot races and palaces, intrigues and violence, Crispin must find his own source of power in order to survive-and unexpectedly discovers it high on the scaffolding of his own greatest creation.Describe Books As Sailing to Sarantium (The Sarantine Mosaic #1)
| Original Title: | Sailing to Sarantium |
| ISBN: | 0743450094 (ISBN13: 9780743450096) |
| Edition Language: | English |
| Series: | The Sarantine Mosaic #1 |
| Literary Awards: | World Fantasy Award Nominee for Best Novel (1999), Mythopoeic Fantasy Award Nominee for Adult Literature (2001), Prix Aurora Award Nominee for Best Long-Form Work in English (1999) |
Rating Based On Books Sailing to Sarantium (The Sarantine Mosaic #1)
Ratings: 4.16 From 12427 Users | 564 ReviewsJudge Based On Books Sailing to Sarantium (The Sarantine Mosaic #1)
See my review of this book's sequel 'Lord of Emperors' for the full review. I do think the sequel is better, but only because this book is truly 'Sailing' to where we want it to be, whereas the sequel is the real meat of what we find at our unlikely destination.The new emperor in Sarantium has a lot to atone for, so hes building a grand chapel to his god and calling the most famous artisans in the surrounding regions to come work for him. Crispin, a mosaicist from a neighboring country, is one of these. Unhappy since his wife and children died, Crispin doesnt think he has much to live for anymore, and he doesnt want to go to Sarantium. But when his young queen, who sits her throne precariously, asks Crispin to carry a secret proposal to the
He wanted to make a mosaic that would endure, that those living in after days would know had been made by him, and would honour. And this, he thought, beneath black and dripping trees, walking over sodden, rotting leaves in the forest, would mean that he had set his mark upon the world, and had been.It was so strange to realize how it was only at this brink of the chasm, threshold of the dark or the gods holy light, that one could grasp and accept ones own hearts yearning for more of the world.
4.5 stars. I had little to no expectations about this book when I first started it other than Brandon Sanderson mentioned Kay in an interview or author panel once. You will not enjoy this if you are looking for an action-packed sword and sorcery fantasy. This is all about the writing, the characters, the politics of this Byzantium-inspired story with a twist of fantasy. It's fantastic. Doesn't feel like a story in-and-of itself, but that's what book 2 is for.
As my first G.G.K. book, I wasn't entirely sure what to expect. Nothing wrong with that; in fact, I often prefer not having any expectations going into a book. But with Kay, I often heard the term "alternate history" or "historical fantasy." I was wary of those labels, and in fact I was really more confused than anything else since I noticed people using them interchangeably (and they clearly are not synonymous with each other). After reading Sailing to Sarantium, it's clear that the book is
What can I say? It seems to be difficult to rate Kay's books any less than 5 full and deserved stars. This story offers, among others, a compelling game of courts and intrigues, violent intricacies, the clash of the sacred and profane, journeys and brilliant colors, all skillfully brushed with Kay's trademark themes and storytelling.Surprisingly, this book has a few more magical elements than those I read before, namely the brilliant masterpieces that are The Lions of Al-Rassan and A Song for
This book is like a mosaic. I am at a loss how to properly categorise it. It is neither a place-driven nor a character-driven story. The first part is just a road-tripping gig. It has a feeling of three, loosely connected novellas about people who meet on the road under weird circumstances. The second part reads like a prelude to the next instalment and remains inconclusive in terms of shape and direction. However, this inability to pin down one particular trope or arch (revenge, love, quest,
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