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Original Title: City of Glass / Ghosts / The Locked Room
ISBN: 0143039830 (ISBN13: 9780143039839)
Edition Language: English URL https://www.penguinrandomhouse.com/books/298818/the-new-york-trilogy-by-paul-auster/9780143039839/
Series: New York Trilogy #1-3
Characters: Peter Stillman, Daniel Quinn, Blue, Black
Setting: Manhattan, New York City, New York(United States) New York City, New York(United States)
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The New York Trilogy (New York Trilogy #1-3) Paperback | Pages: 308 pages
Rating: 3.89 | 55917 Users | 3121 Reviews

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The remarkable, acclaimed series of interconnected detective novels – from the author of 4 3 2 1: A Novel The New York Review of Books has called Paul Auster’s work “one of the most distinctive niches in contemporary literature.” Moving at the breathless pace of a thriller, this uniquely stylized triology of detective novels begins with City of Glass, in which Quinn, a mystery writer, receives an ominous phone call in the middle of the night. He’s drawn into the streets of New York, onto an elusive case that’s more puzzling and more deeply-layered than anything he might have written himself. In Ghosts, Blue, a mentee of Brown, is hired by White to spy on Black from a window on Orange Street. Once Blue starts stalking Black, he finds his subject on a similar mission, as well. In The Locked Room, Fanshawe has disappeared, leaving behind his wife and baby and nothing but a cache of novels, plays, and poems. This Penguin Classics Deluxe Edition includes an introduction from author and professor Luc Sante, as well as a pulp novel-inspired cover from Art Spiegelman, Pulitzer Prize-winning graphic artist of Maus and In the Shadow of No Towers.

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Title:The New York Trilogy (New York Trilogy #1-3)
Author:Paul Auster
Book Format:Paperback
Book Edition:Penguin Classics Deluxe Edition
Pages:Pages: 308 pages
Published:March 28th 2006 by Penguin Classics (first published 1987)
Categories:Fiction. Mystery. Literature. American. Contemporary. Novels

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Ratings: 3.89 From 55917 Users | 3121 Reviews

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I have encountered a great many reviews that start with "I don't know how to begin this review". By this claim the reviewer expresses doubt, but the expression of these doubts is the immediate solution to the reviewer's predicament, making both the doubts and the claim kind of moot. I was thinking of starting off this review the same way, given that this book leaves you wondering about everything, but thinking about that as an option makes it also dishonest, because I would know where to start

I can't write anything about this novel. This isn't some predictable, pitiful attempt to make an opening. I literally can't write anything about it. I've been squeezing my mind over it since yesterday, but no. Read it.

Is this 3 novels-in-one or a single tome?Ah, well:That's four Auster "novels" in a row for me I guess... and, (not) interestingly enough, they were ALL very much alike (Oracle Night, The Glass City, Ghosts, The Locked Room). It's becoming clear that Auster has adopted very interesting themes, such as the transitory nature of fiction and reality; the writer's world manifested in a literal form; & the double... He writes in free-flow and non sequiturs. Yeah, I will be the first one to admit

Na filmovima se često dešava da vispreni zlikovac, pošto ispuca sve kvarnjačke trikove, namami heroja u nekakvu sobu sa ogledalima, kako bi ga ošamutio sopstvenom (herojevom) sposobnošću zapažanja i napokon ga sebi skinuo s vrata. Tako se protagonista nađe u sasvim neprirodnom haosu: pošto je vizualno bombardovan svojim iskrivljenim odrazima, mora da prebaci oslonac na auditivna opažanja, te osluškuje tišinu, zaustavlja disanje, pažljivo hoda kroz srču, sve vreme kalkulišući koliko mu još

ثلاثية نيويورك قرأت هذه الثلاثية قبل سنوات وخربشت وقتها بعض الأفكار حولها ولكن لأنني لم أكن حينها مهتم بنشر مراجعاتي للكتب فبقيت هذه الأفكار في حالة غير مكتملة في ملف نصي مهمل فلذا أعتذر مقدماً عن الحالة الغريبة التي قد تبدو بها هذه المراجعة اعتبروها مراجعة معتقة نوعاً ما. صدر الجزء الأول من ثلاثية نيويورك (مدينة الزجاج) سنة 1985 م ثم صدر الجزءان التاليان (الأشباح) و(الغرفة الموصدة) في السنة التالية وصارت الروايات الثلاث منذ ذلك الحين تصدر معا ً تقدم الثلاثية عادة على أنها رواية تحري ويمكننا فهم

Qué lectura tan amena, tan rápida (estoy sacando los días en que tuve que dejarlo por los estudios) y tan conflictiva. Estas tres novelas me parecieron más una forma de problematizar la identidad y la literatura antes que un homenaje a New York a través de la escritura. Si la ciudad puede considerarse como un espacio inquietante y en movimiento, entonces New York es un claro ejemplo. Y Paul Auster aprovecha esa vorágine para mostrar también cómo allí nadie es quien dice ser: las personas roban

NULLA È REALE FUORCHÉ IL CASODisegno dalla graphic novel Città di vetro di Davide Mazzucchelli (1994).Nulla è reale fuorché il caso è scritto nel primo romanzo della trilogia, Città di vetro, e mi pare una summa della poetica austeriana.Il mio primo incontro con Paul Auster è stato circa trentanni fa (1990) quando Guanda pubblicò La musica del caso (e si da il caso che il caso ritorna). Fu subito amore. Amore grande.La libreria dove mi rifornivo allora non esiste più da tempo, adesso è un

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