Identify Books Supposing The Go-Between
| Original Title: | The Go-Between |
| ISBN: | 0940322994 (ISBN13: 9780940322998) |
| Edition Language: | English |
| Characters: | Leo Colston, Marcus Maudsley, Marian Maudsley, Ted Burgess, Hugh Trimingham, Denys Maudsley |
| Setting: | Norfolk, England,1900 |
| Literary Awards: | W.H. Heinemann Award (1954) |
L.P. Hartley
Paperback | Pages: 326 pages Rating: 3.96 | 7932 Users | 660 Reviews
Chronicle To Books The Go-Between
"The past is a foreign country: they do things differently there." Summering with a fellow schoolboy on a great English estate, Leo, the hero of L. P. Hartley's finest novel, encounters a world of unimagined luxury. But when his friend's beautiful older sister enlists him as the unwitting messenger in her illicit love affair, the aftershocks will be felt for years. The inspiration for the brilliant Joseph Losey/Harold Pinter film starring Julie Christie and Alan Bates, The Go-Between is a masterpiece—a richly layered, spellbinding story about past and present, naiveté and knowledge, and the mysteries of the human heart. This volume includes, for the first time ever in North America, Hartley's own introduction to the novel.
Point Based On Books The Go-Between
| Title | : | The Go-Between |
| Author | : | L.P. Hartley |
| Book Format | : | Paperback |
| Book Edition | : | Special Edition |
| Pages | : | Pages: 326 pages |
| Published | : | 2002 by New York Review of Books (first published 1953) |
| Categories | : | Fiction. Classics. Historical. Historical Fiction |
Rating Based On Books The Go-Between
Ratings: 3.96 From 7932 Users | 660 ReviewsPiece Based On Books The Go-Between
Another coming-of-age, loss-of-innocence novel that will undoubtedly be familiar to and especially appreciated by people who liked Atonement. For whatever reason, Atonement didn't work for me, but this one did.The majority of the story takes place in England in the summer of 1900, but Hartley brings that alive in a way that makes it familiar to someone like me who has never set foot (yet) in England or lived during the summer of 1900. It's not hard to forget the summers of our own childhoods onI was in Vienna on holiday last week, browsing for German reads or translations from languages other than English. Out of nowhere one of the employees slipped this book onto my pile. This publisher only releases books that have moved the owner. I saw it was a translation from English, but shrugged and bought it nonetheless. Im finished now and I want to lie down in bed, bawl my eyes out and never read a book again because nothing will ever make me feel this way again. The past is a foreign
A beautiful punch in the stomach.
The first line of this book brought familiarity, but reading further I realized that I had positively read this book before. Possibly in my late 20's, and no earlier than that, I am sure. And what strikes home the most NOW on reaction to this read, is that I was so much more sympathetic with our go-between then, than I am now in my own age. It's his older, 60 plus years, self that I find problematic. The child going to man, I can fully understand and sympathize. Especially with the death events
It is an unusually hot English summer in 1900. Sweltering temperatures echo simmering passions behind a facade of rules, manners and decorum. Twelve year old Leo spends his summer holidays visiting a school friend at his home, Brandham Hall. Leo is out of his class and out of his depth. He feels unworthy and insecure as he tries to integrate himself into family affections. Intoxicated by their party lifestyle, he is manipulated with charm and his schoolboy innocence is used as a means of deceit.
There is, of course, the great opening line: The past is a foreign country: they do things differently there. And there is the magnificent cover, with just the perfect adolescent male face; even the green color is important, it turns out. There is also the very useful, if unfortunately positioned 'Author's Introduction'. Hartley quickly and explicitly expresses his debt to Proust and posits that an author, though wedded to the present, writes better when reflecting on the past, where impressions
This is one of the most perfect novels ever written. It has many layers and levels, thanks to its brilliant narrative structure of an old man recollecting a tragic love story he witnessed in intense close up as a young boy. It is a rare case of a complex narrative structure actually being necessary for the proper exposition of the plot. For the story is not just about what happened when the narrator was a boy, but how it changed his life as a man and how, towards the end of his life, writing
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