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Original Title: Uno, nessuno e centomila
ISBN: 0941419746 (ISBN13: 9780941419741)
Edition Language: English
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One, No One and One Hundred Thousand Paperback | Pages: 176 pages
Rating: 4.1 | 9706 Users | 509 Reviews

Details Epithetical Books One, No One and One Hundred Thousand

Title:One, No One and One Hundred Thousand
Author:Luigi Pirandello
Book Format:Paperback
Book Edition:Anniversary Edition
Pages:Pages: 176 pages
Published:September 1st 1992 by Marsilio Publishers (first published 1925)
Categories:Classics. Fiction. European Literature. Italian Literature

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The great Pirandello's (1867-1936) 1926 novel, previously published here in 1933 in another translation, synthesizes the themes and personalities that illuminate such dramas as Six Characters in Search of an Author.

Vitangelo Moscarda ``loses his reality'' when his wife cavalierly informs him that his nose tilts to the right; suddenly he realizes that ``for others I was not what till now, privately, I had imagined myself to be,'' and that, consequently, his identity is evanescent, based purely on the shifting perceptions of those around him. Thus he is simultaneously without a self--``no one''--and the theater for myriad selves--``one hundred thousand.'' In a crazed search for an identity independent of others' preconceptions, Moscarda careens from one disaster to the next and finds his freedom even as he is declared insane.

It is Pirandello's genius that a discussion of the fundamental human inability to communicate, of our essential solitariness, and of the inescapable restriction of our free will elicits such thoroughly sustained and earthy laughter.

Rating Epithetical Books One, No One and One Hundred Thousand
Ratings: 4.1 From 9706 Users | 509 Reviews

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I guess it should also be 4 stars. In any case, all that this book has left me is confusion and inner void. It makes you question about yourself but to me in a pointless way. I understand the protagonist point but following his lead would bring to a meaningless life. It's fascinating but at the same time disturbing. I appreciated how in the end the storyline got more vivid and active. This book let me realise how much more I appreciate adventurous books.

known primarily as a playwright, luigi pirandello also wrote novels, short stories, and poetry. the italian dramatist was awarded the 1934 nobel prize for literature, two years before his lonely death. one, no one, and one hundred thousand (uno, nessuno, e centomila) took pirandello well over a decade to complete and may well be his most popular novel. one, no one, and one hundred thousand is a thoughtful, meditative work on the nature of identity, self-perception, and madness. vitangelo

This is the pivotal work of Pirandello. You can find everything he had to say summarized in here, especially in the first thirty pages. What follows is redundant, but still necessary; because the main character Moscarda proves that you can't just take another identity. But in the end Moscarda succeeds to be free and able to fill in his own life.

A book about being gripped with, indeed swept by, the idea of the gulf between the way you perceive yourself, the way(s) others see you, and (if that can be asserted anyhow), the way you truly, objectively are. Hence the one, one hundred thousand, and no one, respectively (if I got it right). After a long period during which the first-person protagonist is working out and getting his head around this notion, he reaches the conclusion that it is impossible, or rather, useless, to try to conform

The plot didn't captivate me much, even had hard time in finishing it. But some parts were amazing. In particular the sections on the human destruction of the nature, stark differences between the life in the cities and in countryside. And this, in a novel written in 1920s. I wonder what he would have written if he had lived today! Brief but seering criticism of the peoples' general expression of religious beliefs was also impressive.

Luigi Pirandello (1867 - 1936) Nobel Prize winning Italian playwright, novelist, poet and short story writer, perhaps best known for such outstanding plays as Six Characters in Search of an Author.One, No One, and One Hundred Thousand is so well-constructed, each section flowing smoothly into the next, its as if the author penned all 160 pages in a single, uninterrupted creative burst. Remarkably, its just the opposite: Luigi Pirandello worked on this short novel on and off over the course of

Excellent essay regarding the topics of of ego and our thoughts of how it reflects on others.

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